However, there’s unlikely to be another Bollywood production this year that has the volume and quality of dancing that ABCD 2 has. If you are a fan of hot, shirtless dudes, then the climactic dance number is for you.ĪBCD 2 is not as good as ABCD. Kapoor and Gottlieb both look amazing, and every guy in the crew is ripped. His acting has improved enough that Bollywood casting agents need to give him a lot more attention.Įven though the plot is geared toward a youthful audience, there is a ton of toned flesh on display for older moviegoers. Sushant Pujari was my standout performer in the original ABCD, and it’s nice to see his role elevated in the sequel. However, Dhawan occasionally stands out from his crewmates, most noticeably in the song “Happy Hour.” It’s not that he’s performing poorly, just that the thousands of extra hours men like Pujari, Pathak, and Yelande have spent dancing gives their movements a fluidity and crispness that Dhawan can’t precisely replicate. They aren’t just good dancers as far as actors are concerned they are very, very good dancers, period.
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The integration of Kapoor and Dhawan - professional actors who dance - into the cast of dancers is mostly successful. Part of what made ABCD so successful was that the cast consisted of professional dancers who acted.
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The talent level of pro dancers like Gottlieb, Pujari, Pathak, and Dharmesh Yelande (who plays Dharmesh) cannot be overstated. On top of that, spotlight performances showcase just how skilled the cast members are.
These days, even big budget Bollywood movies only feature one or two large-scale choreographed numbers, but ABCD 2 has a bunch of them. Plot problems aside, the dancing is the real reason anyone goes to see ABCD 2, and in that regard it does not disappoint. It’s nice to see the two women portrayed so positively. When Olive gets too flirty with Suru for Vinnie’s liking, the two talk about it rather than devolving into a catfight. The most successful subplot involves the only two female members of the crew: Vinnie and Olive (Lauren Gottlieb), an Indian-American dancer who joins them in Vegas. The crew finds their mojo only when they embrace their Indian roots and dance to absurdly patriotic/religiously tinged songs. Crew-member Vinod (Punit Pathak) is not only deaf and mute, but also routinely coughs up blood. Suru tries to honor the memory of his dead mother, a famed dancer. Other subplots fail to tug the heartstrings as intended. If someone stole my work and passed it off as his own, then tried to act like he was my biggest fan, I wouldn’t be grateful. The Stunners act like fanboys, and the Filipino team praises them for their heart. Worse, they meet the Filipino team they stole from at the Vegas dance competition, and no one mentions the theft. The redemption-without-remorse lesson is a strange moral to preach to children. Even as his friends are ridiculed because of his devious actions, Suru doesn’t ask for their forgiveness. They are punished by being kicked off the show, but they aren’t sorry. The problem is that Suru and Vernon - though mostly Suru - really did cheat, but they never admit it or apologize for it. That prompts Suru to reform the Stunners and beg Vishnu’s help, hoping that victory in Vegas will prove their talent to the Indian audience that shunned them. The consequences haunt Suru, Vernon, and other members of the group like Vinnie (Shraddha Kapoor), even at their day jobs. The Stunners are branded cheaters and thrown off the show. During the show’s finale, the judges - one of whom is ABCD 2 director Remo D’Souza, playing himself - bust Suru and his buddy Vernon (Sushant Pujari) for copying the choreography of a hip-hop group from the Philippines.
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Yet that’s what makes the redemption arc of Suru’s crew so darned awkward.Īt the start of the film, Suru’s crew, the Mumbai Stunners, is the most popular group on an Indian TV dance competition show. While the original ABCD was aimed at teenagers, ABCD 2 skews younger, with sophomoric humor and more explicit moral lessons woven into the story. He gets a chance at a fresh start when a disgraced hip-hop crew led by Suru (Varun Dhawan) asks for his help in winning an international competition in Las Vegas. Vishnu 2.0 is a drunk, washed up Mumbai choreographer. Prabhu Deva again plays a choreographer named Vishnu, but he’s not the same guy, which is needlessly confusing. Many of the actors from the original are in the sequel, but in different roles. Earnest efforts pay off in the spectacular dance numbers, but the movie’s ham-handed moral and patriotic themes only inspire eye rolls.ĪBCD 2 is not a direct followup to 2013’s ABCD: Any Body Can Dance.
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